All The Wrong Places: Storyboard



Scene 1, Shot 1


Scene 2, Shot 1


Scene 2, Shot 2: Steve jogging


Scene 2, Shot 3


Scene 2, Shot 4: Tom jogging


Scene 2, Shot 5: They meet and pass


Scene 2, Shot 6: Steve gets whiplash staring at Tom, stumbles and does a U-turn


Scene 2, Shot 7: Steve follows Tom jogging down the waterfront


Scene 3a, Shot 1: Steve and Tom, holding hands, stop and kiss, go in front door
Scene 3b, Shot 1: Vigorous indeterminant activity is going on under the sheets


Scene 3b, Shot 2: Steve stares at the ceiling, alone


Scene 4, Shot 1: Bruce sneaks a look at Steve


Scene 4, Shot 2: ...as Steve comes out of his house


Scene 4, Shot 3: They talk


Scene 4, Shot 4


Scene 4, Shot 5: Bruce shakes his head in sympathy (more of a Medium Shot than drawing shows)


Scene 5, Shot 1


Scene 5, Shot 2a: Steve looks at a paper (Medium)
Scene 5, Shot 2b: Closeup of a personal ad


Scene 5, Shot 3: Steve makes a date


Scene 5, Shot 4: Steve writes down the meeting information


Scene 5, Shot 5: Steve waiting for his date


Scene 5, Shot 6: Steve bothers a passerby


Scene 5, Shot 7 delete shot


Scene 5, Shot 8: nope, sorry


Scene 5, Shot 9: more waiting, then Steve leaves


Scene 6, Shot 1: Bruce sneaking another look at his secret love


Scene 6, Shot 2: they talk some more


Scene 6, Shot 3


Scene 7a, Shot 1


Scene 7b, Shot 1: A friend sets up a blind date for Steve; he stands nodding at what his friend is saying


Scene 7b, Shot 2a
Scene 7b, Shot 2b also shoot just "A Blind Date"
Scene 7b, Shot 2c: show writing in appointment book "Blind Date, Harry" and the address


Scene 7c, Shot 1a: going to the blind date
Scene 7c, Shot 1b: closeup of address on house


Scene 7c, Shot 2: Harry answers the door swinging a chain with a grin aimed at Steve


Scene 7c, Shot 3a: Closeup of Steve going "Aggh!"
Scene 7c, Shot 3b: Steve runs away shoot in fast motion


Scene 7c, Shot 4: Harry shrugs, scratches his head in puzzlement with a riding crop...


Scene 7c, Shot 5a: ...and puts the chain on a little yip-dog, as he intended all along; the chain is noticeably large for the dog (same view as when he opens door)
Scene 7c, Shot 5b: long shot of same as puts chain on yip-dog and walks out of house


Scene 8, Shot 1: Bruce is pruning a tree from a ladder


Scene 8, Shot 2: they talk


Scene 8, Shot 3


Scene 8, Shot 4: Bruce nods agreement


Scene 8, Shot 5


Scene 8, Shot 6: Bruce overreaches for a branch and starts to lose his balance


Scene 8, Shot 7: ...falling into the direction of the camera


Scene 8, Shot 8: they start to pick themselves up after the Bruce lands on Steve


Scene 8, Shot 9: Bruce's eyes meet Steve's and he freezes


Scene 8, Shot 10: Steve's eyes meet Bruce's and he freezes


Scene 8, Shot 11: They lean into a kiss as we fade out


Scene 9, Shot 1: Cast


Scene 9, Shot 2: Crew


Scene 9, Shot 3: Copyright